The Plot to Save South Africa, by Justice Malala (Simon & Schuster). On Easter weekend, 1993, Chris Hani—an A.N.C. commander seen as Nelson Mandela’s likely successor—was assassinated by two white nationalists. Protests and violence followed, threatening to derail ongoing negotiations to end apartheid. This account re-creates the delicate process by which negotiators—Mandela and Cyril Ramaphosa on one side, F. W. de Klerk and Roelf Meyer on the other—struggled to keep the people’s reactions in check and pull the country back from the brink of civil war. Malala also probes the persistent conspiracy theories surrounding Hani’s death. Conceding that these theories may never be proved or disproved, he nonetheless stresses the way that a killing intended to ignite a race war ended up accelerating democratization.
My Father’s Brain, by Sandeep Jauhar (Farrar, Straus & Giroux). Spanning seven years, this incisive memoir relates the decline of the author’s father, an eminent agricultural scientist, after a dementia diagnosis. Sandeep, a physician, examines the history and science of dementia and the ethics of making decisions on behalf of the cognitively impaired. He is clear-eyed about his and his siblings’ shortcomings and about the social factors that exacerbate the challenges of helping the elderly. These include cultural biases against those perceived as not rational and Western individualism, which discourages intergenerational homes and thereby increases the obstacles to collective caretaking.
The Best Books of 2023
Read our reviews of the year’s notable new fiction and nonfiction.
Take What You Need, by Idra Novey (Viking). A delicate meditation on art, family, and ugliness, this novel unfolds in chapters that alternate between the perspectives of Jean, an elderly sculptor living in the Alleghenies, and her estranged stepdaughter, Leah, who, after Jean’s death, comes to collect the sculptures that constitute her inheritance. These works, towers of welded scrap metal that Jean calls “manglements,” have a familial aspect: Jean learned to weld from her father, and the metal comes from her cousin’s scrap shop. The characters dwell not only on the difficulties that arise in family life but also on the ways in which such difficulties can’t be separated from love. Jean recalls that, when she read Leah “Little Red Riding Hood,” the child wanted “no confusion about whether I was speaking as the wolf or the grandma.”
Gravity and Center, by Henri Cole (Farrar, Straus & Giroux). This volume of sonnets by one of the form’s most distinctive practitioners calibrates tensions between mind and body, nature and culture, self and society, freedom and restraint. Cole eschews fixed metrical and rhyme schemes but retains the sonnet’s essential sense of rigor and compression, the drama that emerges from its “little fractures and leaps and resolutions.” His approach, which bears the influence of French and Japanese lyric traditions, combines a surrealistic idiom with an enigmatic emotional intensity; the poems feel at once delphic and deeply personal, mapping the thin and porous membrane between their author’s inner and outer worlds.
