Latest The New Yorker Interview Eva Longoria Brings Latino Life to the Screen She discusses the feature film that she directed, “Flamin’ Hot”; exploring Mexican cuisine in her new CNN series; and why she dislikes Pop-Tarts. June 11, 2023 The Front Row A Discussion of the Best Movies of the Year So Far New films of extraordinary artistry are being pushed to the margins of the industry. June 9, 2023 The Front Row “Dalíland,” Reviewed: A Glorious Carnival, at Least for an Hour or So Ben Kingsley endows the painter with majestic self-absorption and twinkling delight. June 8, 2023 The Front Row The Rapturous Romance and Desperate Tragedy of Elaine May’s “A New Leaf” The actor-director’s feature début is among the greatest of romantic comedies. June 2, 2023 The Current Cinema Celine Song’s “Past Lives” Is a Calm but Moving Début This story of childhood friends from Seoul who reunite as adults in New York is less a love story than a meditation on transplantation and transience. June 2, 2023 The New Yorker Interview Tom Hanks on the Rewards and “Vicious Reality” of Making Movies The actor and first-time novelist discusses his new book, shooting the park-bench scenes in “Forrest Gump,” and the impossibility of predicting how a film will turn out. May 28, 2023 Screening Room An A.I.-Generated Film Depicts Human Loneliness, in “Thank You for Not Answering” The artist Paul Trillo thinks of the A.I. filmmaking tools he used as “co-directing” the evocative short. May 26, 2023 The Front Row Paul Schrader’s “Master Gardener” Is a Movie Divided Against Itself It may appear to be a political drama or a redemption arc, but it’s really an erotic thriller. May 23, 2023 The New Yorker Radio Hour Behind the Scenes with Tom Hanks The actor kicks off the book tour for his début novel, “The Making of Another Major Motion Picture Masterpiece,” onstage with David Remnick. Plus, Jill Lepore on gardening and history. May 19, 2023 The Front Row An Intimate, Lived-In Début Feature from Cambodia Kavich Neang’s “White Building” dramatizes private lives and public conflicts in contemporary Phnom Penh. May 19, 2023 The Current Cinema “You Hurt My Feelings” Doesn’t Hurt Enough Feelings Nicole Holofcener has made a career sharply observing an oversensitive subset of society, but her new film goes surprisingly easy on its troupe of fools. May 19, 2023 Cultural Comment A Few Thoughts on Quentin Tarantino’s Plan to Retire The director has said that his tenth film will be his last. What does this mean for his cinematic legacy? May 16, 2023 The Front Row “BlackBerry,” Like the BlackBerry, Never Reaches Its Potential The business drama has documentary-like enticements but remains a stranger to its characters. May 12, 2023 View More