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Joyce Carol Oates head shot - The New Yorker

Joyce Carol Oates

Joyce Carol Oates has been publishing has been publishing fiction and poetry, as well as memoir, book reviews, and other nonfiction, in The New Yorker since 1994, when she made her début in the magazine with the story “Zombie,” a first-person narrative inspired, in part, by the life of Jeffrey Dahmer. Unhesitating in her explorations of the darker side of human nature, Oates is drawn both to marginalized characters whose stories are rarely told—like the working-class Detroit family in her National Book Award-winning novel “them”—and to such cultural icons as Marilyn Monroe, whose life she fictionalized in the 2000 novel “Blonde.” “I try for the music of different people’s voices; the voices change from person to person,” Oates told The New Yorker in an interview in 2022. The author of more than sixty novels, which together form a multifaceted, polyphonic portrait of American life, Oates has won the National Humanities Medal, the Jerusalem Prize, and the Prix Mondial Cino Del Duca, among other distinctions.

Novellas

“The Bicycle Accident”

“Of course, Arlette understood, this was not a tragedy. Tragedy would be a broken neck or spine. Paralysis for life. A coma.”

The Wishbone

This Is Not a Poem

Flash Fiction

Hospice/Honeymoon

“Once the word is uttered aloud, there is a seismic shift. You will feel it.”

Sinners in the Hands of an Angry God

“Is it the earth, the water, the air? Contaminates? Something is poisoning them.”

Science Fiction Doesn’t Have to Be Dystopian

In Ted Chiang’s new collection of stories, technology can be a force for human—and robotic—good.

Where Are You?

“He would continue to call, not hearing her, for he disliked wearing his hearing aid around the house, where there was only the wife to be heard.”

The Domestic Thriller Is Having a Moment

In A. J. Finn’s “The Woman in the Window,” an agoraphobic with a zoom lens thinks she sees something.

Refugees in America

The Pulitzer Prize-winning Viet Thanh Nguyen tells stories about people poised between their devastated homeland and their affluent adopted country.

You Will Get Yours

A novel of rage and revenge in the N.Y.P.D.

The Death Factory

Martin Amis’s “The Zone of Interest.”

“Mastiff”

“The dog was pale-brindle-furred, with a deep chest, strong shoulders and legs, a taut tail. It must have weighed at least two hundred pounds.”

All She Knows

The short fiction of Margaret Drabble.
Novellas

“The Bicycle Accident”

“Of course, Arlette understood, this was not a tragedy. Tragedy would be a broken neck or spine. Paralysis for life. A coma.”

The Wishbone

This Is Not a Poem

Flash Fiction

Hospice/Honeymoon

“Once the word is uttered aloud, there is a seismic shift. You will feel it.”

Sinners in the Hands of an Angry God

“Is it the earth, the water, the air? Contaminates? Something is poisoning them.”

Science Fiction Doesn’t Have to Be Dystopian

In Ted Chiang’s new collection of stories, technology can be a force for human—and robotic—good.

Where Are You?

“He would continue to call, not hearing her, for he disliked wearing his hearing aid around the house, where there was only the wife to be heard.”

The Domestic Thriller Is Having a Moment

In A. J. Finn’s “The Woman in the Window,” an agoraphobic with a zoom lens thinks she sees something.

Refugees in America

The Pulitzer Prize-winning Viet Thanh Nguyen tells stories about people poised between their devastated homeland and their affluent adopted country.

You Will Get Yours

A novel of rage and revenge in the N.Y.P.D.

The Death Factory

Martin Amis’s “The Zone of Interest.”

“Mastiff”

“The dog was pale-brindle-furred, with a deep chest, strong shoulders and legs, a taut tail. It must have weighed at least two hundred pounds.”

All She Knows

The short fiction of Margaret Drabble.