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Janet Malcolm

Janet Malcolm was a staff writer for The New Yorker until her death, in 2021. She began writing for The New Yorker in 1963, when the magazine published her poem “Thoughts on Living in a Shaker House.”

For nearly ten years, Malcolm wrote About the House, a column on interiors and design. From 1975 until 1981, she wrote a photography column. Throughout her career, Malcolm contributed a variety of pieces, including Profiles, Reporter at Large articles, and book reviews.

Malcolm’s books include “Diana and Nikon” (1980), her first, a collection of essays on photography. “Psychoanalysis: The Impossible Profession” (1981) is an expanded version of her Profile of the psychoanalyst Aaron Green, and “In the Freud Archives” (1984) is based on her two-part article on Jeffrey Moussaieff Masson. “The Journalist and the Murderer” (1990), about a lawsuit brought by a convicted murderer against the author of a book on his crime, examines the relationship between writer and subject; it was first published in 1989 as a two-part article in the magazine. “The Purloined Clinic” (1992) is a collection of essays and criticism from The New Yorker and The New York Review of Books. “The Silent Woman: Sylvia Plath & Ted Hughes” (1994) explores the life and work of Sylvia Plath and is based on an article that originally appeared in the August 23 & 30, 1993, issue of The New Yorker. In “The Crime of Sheila McGough” (1999), Malcolm explored the American legal system. “Reading Chekhov” (2001) weaves together close readings of Chekhov’s works with scenes from the Russian writer’s life and her own travels in Russia. In the fall of 2007, Malcolm published a book titled “Two Lives: Gertrude Stein and Alice B. Toklas in War and Peace,” based on three articles she wrote about Stein and Toklas that appeared in the magazine. She published “Forty-one False Starts: Essays on Artists and Writers” in 2013, and “Nobody’s Looking at You: Essays,” her last book, in 2019.

Malcolm was born in Prague and emigrated with her family to the U.S. in 1939.

My Father’s Bad Seats at the Opera

It was nearly impossible to see or hear the actors. But, somehow, the magic remained.

Susan Sontag and the Unholy Practice of Biography

A new book is as unillusioned about the writer as she was about herself.

Six Glimpses of the Past

On photography and memory.

Rachel Maddow: Trump’s TV Nemesis

Her show permits liberals to enjoy themselves during what may be the most unenjoyable time of their political lives.

Yuja Wang and the Art of Performance

The piano prodigy is known for the brilliance of her playing and for her dramatic outfits.

Forty-One False Starts

How does the painter David Salle know when to stop? How does the author know where to start? It’s all a question of process.

The Book Refuge

Three sisters keep a family business going.

Nobody’s Looking at You

Eileen Fisher and the art of understatement.

Depth of Field

Thomas Struth’s way of seeing.

Iphigenia in Forest Hills

Anatomy of a murder trial.

Advanced Placement

The wicked joy of the “Gossip Girl” novels.

Strangers in Paradise

How Gertrude Stein and Alice B. Toklas got to Heaven.

Someone Says Yes to It

Gertrude Stein, Alice B. Toklas, and “The Making of Americans.”

The Emigre

The farewell broadcast of a voice from the past.

Gertrude Stein’s War

The years in Occupied France.

As the French Do

Cooking the Alice B. Toklas way.

Three Journeys

Anton Chekhov on the road.

Comment

Thanks to the papers, we know what the columnists think. Thanks to round-the-clock cable, we know what the ex-prosecutors, the right-wing blondes, the teletropic law professors, and the disgraced political consultants think. Thanks to the polls, we know what “the American people” think. But what about the experts on human folly?

My Father’s Bad Seats at the Opera

It was nearly impossible to see or hear the actors. But, somehow, the magic remained.

Susan Sontag and the Unholy Practice of Biography

A new book is as unillusioned about the writer as she was about herself.

Six Glimpses of the Past

On photography and memory.

Rachel Maddow: Trump’s TV Nemesis

Her show permits liberals to enjoy themselves during what may be the most unenjoyable time of their political lives.

Yuja Wang and the Art of Performance

The piano prodigy is known for the brilliance of her playing and for her dramatic outfits.

Forty-One False Starts

How does the painter David Salle know when to stop? How does the author know where to start? It’s all a question of process.

The Book Refuge

Three sisters keep a family business going.

Nobody’s Looking at You

Eileen Fisher and the art of understatement.

Depth of Field

Thomas Struth’s way of seeing.

Iphigenia in Forest Hills

Anatomy of a murder trial.

Advanced Placement

The wicked joy of the “Gossip Girl” novels.

Strangers in Paradise

How Gertrude Stein and Alice B. Toklas got to Heaven.

Someone Says Yes to It

Gertrude Stein, Alice B. Toklas, and “The Making of Americans.”

The Emigre

The farewell broadcast of a voice from the past.

Gertrude Stein’s War

The years in Occupied France.

As the French Do

Cooking the Alice B. Toklas way.

Three Journeys

Anton Chekhov on the road.

Comment

Thanks to the papers, we know what the columnists think. Thanks to round-the-clock cable, we know what the ex-prosecutors, the right-wing blondes, the teletropic law professors, and the disgraced political consultants think. Thanks to the polls, we know what “the American people” think. But what about the experts on human folly?