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Adam Gopnik head shot - The New Yorker

Adam Gopnik

Adam Gopnik, a staff writer, has been contributing to The New Yorker since 1986. During his tenure at the magazine, he has written fiction, humor, book reviews, personal essays, Profiles, and reported pieces from abroad. He was the magazine’s art critic from 1987 to 1995 and the Paris correspondent from 1995 to 2000. From 2000 to 2005, he wrote a journal about New York life. His books, ranging from essay collections about Paris and food to children’s novels, include “Paris to the Moon,” “The King in the Window,” “Through the Children’s Gate: A Home in New York,” “Angels and Ages: A Short Book About Darwin, Lincoln, and Modern Life,” “The Table Comes First: Family, France, and the Meaning of Food,” “Winter: Five Windows on the Season,” “At the Strangers’ Gate: Arrivals in New York,” “A Thousand Small Sanities: The Moral Adventure of Liberalism,” and, most recently, “The Real Work: On the Mystery of Mastery.” Gopnik has won three National Magazine Awards, for essays and for criticism, and also the George Polk Award for Magazine Reporting. In March of 2013, Gopnik was awarded the medal of Chevalier of the Order of Arts and Letters, and in 2021 he was made a Chevalier of the Legion d’honneur. He lectures widely, and, in 2011, delivered the Canadian Broadcasting Corporation’s fiftieth-anniversary Massey Lecture. His musical, “Our Table,” opened in 2017, at the Long Wharf Theatre, in New Haven, and his one-man storytelling show, “The Gates,” played at the Public Theatre in New York.

What We Can Learn from London’s Smoke-Filled Skies

Hazardous health conditions in Dickensian England led to meaningful governmental reform.

A Gifted Composer Gone Too Soon

In the summer of his death, Peter Foley and I talked about the shape of an artist’s life made under the special pressures of the modern musical theatre.

How Warhol Turned the Supreme Court Justices Into Art Critics

Justice Elena Kagan’s dissent reads as strenuously as a vintage piece by, say, Clement Greenberg, slamming Harold Rosenberg.

How to Quit Cars

They crowd streets, belch carbon, bifurcate communities, and destroy the urban fabric. Will we ever overcome our addiction?

Remembering Bruce McCall, Satirist and Compleat Canadian

For McCall, the business of getting it down right was a form of self-salvation.

What Happens When You Kill Your King

After the English Revolution—and an island’s experiment with republicanism—a genuine restoration was never in the cards.

The “We❤️NYC” Logo Flop

The new logo lacks the bite and snarl that made Milton Glaser’s original an icon.

How the Graphic Designer Milton Glaser Made America Cool Again

From the poster that turned Bob Dylan into an icon to the logo that helped revive a flagging city, he gave sharp outlines to the spirit of an age.

What Can A.I. Art Teach Us About the Real Thing?

The range and ease of pictorial invention offered by A.I. image generation are startling.

Is Artificial Light Poisoning the Planet?

A Swedish ecologist argues that its ubiquity is wrecking our habitats—and our health.

Cate Blanchett Plays Herself

The star of “Tár” reunites with her opening-scene partner for a conversation about listening to music, going before audiences, and the art of acting in life and in the movies.

Burt Bacharach’s Distinctive Melodic Voice

You need to hear only a few bars of a Bacharach song to sense his singular gift.

The Strikes and Protests in France Look to the Future and the Past

Emmanuel Macron challenges the welfare state, and Charles de Gaulle makes a surprise return.

The Delight of Edward Hopper’s Solitude

A new show at the Whitney reveals what we’ve been missing during the pandemic.

What Hollywood’s Ultimate Oral History Reveals

For all the clouds of publicity, the dream machine is actually a craft business. Have we asked too much of it?

What the Suzuki Method Really Taught

A new biography of the program’s creator argues that reducing it to a system of music instruction misses its underlying point about human potential.

The Case of the Upside-Down Mondrian

A great work of art always produces a vital disorientation.

How Samuel Adams Helped Ferment a Revolution

A virtuoso of the eighteenth-century version of viral memes and fake news, he had a sense of political theatre that helped create a radical new reality.

Annie Ernaux’s Justly Deserved Nobel

Her win marks the ascendancy of the memoir as the leading genre of our time.  

Calling Trump the F-Word

What matters about identifying the Trumpist line as fascist is that it is diagnostic.

What We Can Learn from London’s Smoke-Filled Skies

Hazardous health conditions in Dickensian England led to meaningful governmental reform.

A Gifted Composer Gone Too Soon

In the summer of his death, Peter Foley and I talked about the shape of an artist’s life made under the special pressures of the modern musical theatre.

How Warhol Turned the Supreme Court Justices Into Art Critics

Justice Elena Kagan’s dissent reads as strenuously as a vintage piece by, say, Clement Greenberg, slamming Harold Rosenberg.

How to Quit Cars

They crowd streets, belch carbon, bifurcate communities, and destroy the urban fabric. Will we ever overcome our addiction?

Remembering Bruce McCall, Satirist and Compleat Canadian

For McCall, the business of getting it down right was a form of self-salvation.

What Happens When You Kill Your King

After the English Revolution—and an island’s experiment with republicanism—a genuine restoration was never in the cards.

The “We❤️NYC” Logo Flop

The new logo lacks the bite and snarl that made Milton Glaser’s original an icon.

How the Graphic Designer Milton Glaser Made America Cool Again

From the poster that turned Bob Dylan into an icon to the logo that helped revive a flagging city, he gave sharp outlines to the spirit of an age.

What Can A.I. Art Teach Us About the Real Thing?

The range and ease of pictorial invention offered by A.I. image generation are startling.

Is Artificial Light Poisoning the Planet?

A Swedish ecologist argues that its ubiquity is wrecking our habitats—and our health.

Cate Blanchett Plays Herself

The star of “Tár” reunites with her opening-scene partner for a conversation about listening to music, going before audiences, and the art of acting in life and in the movies.

Burt Bacharach’s Distinctive Melodic Voice

You need to hear only a few bars of a Bacharach song to sense his singular gift.

The Strikes and Protests in France Look to the Future and the Past

Emmanuel Macron challenges the welfare state, and Charles de Gaulle makes a surprise return.

The Delight of Edward Hopper’s Solitude

A new show at the Whitney reveals what we’ve been missing during the pandemic.

What Hollywood’s Ultimate Oral History Reveals

For all the clouds of publicity, the dream machine is actually a craft business. Have we asked too much of it?

What the Suzuki Method Really Taught

A new biography of the program’s creator argues that reducing it to a system of music instruction misses its underlying point about human potential.

The Case of the Upside-Down Mondrian

A great work of art always produces a vital disorientation.

How Samuel Adams Helped Ferment a Revolution

A virtuoso of the eighteenth-century version of viral memes and fake news, he had a sense of political theatre that helped create a radical new reality.

Annie Ernaux’s Justly Deserved Nobel

Her win marks the ascendancy of the memoir as the leading genre of our time.  

Calling Trump the F-Word

What matters about identifying the Trumpist line as fascist is that it is diagnostic.